Fushia

Contrary to popular belief, ancient artists did not use marble for its pure whiteness. Microscopic research has revealed traces of red, blue, green and yellow pigments in many works. Surprise: Greek sculpture was polychrome.
To suggest the spirit of ancient sculpture, wrongly considered austere, the Venus de Milo was dressed by the Louvre workshops in a bright magenta to great effect.
Editions Museal offers you a reproduction of this masterpiece in magenta-colored resin, produced by the Louvre's molding workshops.
This intense magenta color is also a tribute to the creative daring of the sculptor who, a century before our era, produced this ultimate work, which to this day symbolizes the perfection of ancient sculpture.